Beyoncé and Big Freedia have found themselves embroiled in a legal battle over their song “Break My Soul.” The issue? Copyright infringement.

The lawsuit, which has garnered significant attention, alleges that the track contains unauthorized samples from a piece titled “Messy Mya – Booking the Hoes From New Wildin.” This work was created by the late Anthony Barre, better known as Messy Mya, a prominent figure in the New Orleans bounce music scene.

The lawsuit was filed by Messy Mya’s estate, which claims that Beyoncé and Big Freedia used Mya’s voice without obtaining the necessary permissions. This case underscores the complexities surrounding copyright law in the music industry, particularly when it comes to sampling.

Sampling, the practice of incorporating portions of existing recordings into new compositions, is a common technique in music production. However, navigating the legalities of sampling can be challenging, as it often requires obtaining licenses and clearances from the original copyright holders.

In this instance, the lawsuit alleges that Beyoncé and Big Freedia failed to secure the appropriate permissions before using Messy Mya’s voice in “Break My Soul.” As a result, they now face legal repercussions for their alleged infringement.

This case serves as a reminder of the importance of respecting intellectual property rights in the creative industry. While sampling can be a valuable tool for artists seeking to create innovative and compelling music, it must be done in accordance with copyright law.

As the legal proceedings unfold, the outcome of this case will undoubtedly have implications for how artists approach sampling and copyright clearance in the future. In the meantime, it serves as a cautionary tale for musicians and producers alike, highlighting the potential consequences of failing to properly license copyrighted material.